Priyageetha Dia, Blood Sun II, 2024, 9:16 video, colour, 30 sec loop.

Moorina Bonini, Bitja (Fire), 2020, single channel video.

Cheng Ran, Joss, 2013, video 5 min, 54 sec. Courtesy of White Rabbit Collection, Sydney. Donated through the Australian Government’s Cultural Gifts Program by Judith Neilson.

Ali Tahayori, Woman with a Candle (Untitled 49&50), from the series Archive of Longing, 2025, archival photograph printed on hand-cut glass, silicone, on aluminium di-bond. Courtesy of the artist and THIS IS NO FANTASY.

Michael Jalaru Torres, Subscribing to the destruction from the series Mother Earth Burn, 2019, Ilford gold fibre gloss.

Glynn Urquhart, Inseguire Chimere, 2025, digital animation.

Emily Parsons-Lord, A Great Shock Of Brilliant Hairs Thrilled The Sky, 2022, video.

Naomi Blacklock, Aflame, A Singing Sun, 2019, performance commissioned by UQ Art Museum

Ioanna Sakellaraki, Baining Fire Dance, East New Britain, Papua New Guinea, 2023, digital print

Morehshin Allahyari, She Who Sees the Unknown: Huma, 2016, video

Makiko Ryujin, Shinki (Burning Series) vessel, 2020, charred eucalyptus

Joshua Serafin, Ablaze from Creation Paradigm, 2023, video (still).

Sar Sarwari, Untitled 3 from the series Archaeology of Memory (detail), 2022, charcoal powder, PVA glue on marine plywood. Photo by Louis Lim.

Felix Saturn, Only The Stars Know Where I've Been III, 2025, salvaged church glass, photographic print on glass, leadcame, mild steel.

Jenna Lee, Burn Before Reading, 2025, pages of Aboriginal Words and Place Names, calligraphy ink, florist wire, glue; installation view Gertrude Glasshouse, Naarm Melbourne, 2025, image courtesy of the artist and MARS Gallery. Photography by Christian Capurro.

Shireen Taweel, Calculations for Movement, Instrument Three, 2024, hand engraved and pierced copper. Courtesy of the artist and STATION Gallery. Photo by Document Photography

Nicholas Burridge, A Ritual for the Anthropocene, 2024, C-type print. Photographed by Bella Johnson (for A Ritual for the Anthropocene).